Grandma, what a long history you have!
The origins of “Little Red Riding Hood”
New research suggests the famous children's story
can be traced back to . . .
This piece originally appeared on Pacific Standard.
We all know one fact about Little Red Riding Hood’s family tree: She has—or had—a grandmother. But newly published research suggests her ancestral linage in fact goes way, way back.
Writing in the online journal PLOS One, Durham University anthropologist Jamie Tehrani presents evidence that the popular folk tale appears to share ancient roots with another story still popular in Europe and the Middle East, The Wolf and the Kids.
“This is rather like a biologist showing that humans and other apes share a common ancestor but have evolved into distinct species,” Tehrani told the university’s public affairs office. “The fact that Little Red Riding Hood ’evolved twice’ from the same starting point suggests it holds a powerful appeal that attracts our imaginations.”
Original Article . . .
“This is rather like a biologist showing that humans and other apes share a common ancestor but have evolved into distinct species,” Tehrani told the university’s public affairs office. “The fact that Little Red Riding Hood ’evolved twice’ from the same starting point suggests it holds a powerful appeal that attracts our imaginations.”
In an attempt to show that one really can trace stories from various cultures to common roots, Tehrani analyzed a series of seemingly related stories to phylogenetic analysis. Developed to trace the relationship between various species, it is used to create a “tree” that traces how, in the course of evolution, certain plants or animals arose from a common progenitor.
“Folk tales represent an excellent target for phylogenetic analysis because they are, almost by definition, products of descent with modification,” Tehrani writes. “Rather than being composed by a single author, a folk tale typically evolves gradually over time, with new parts of the story added and others lost as it get passed down from generation to generation.”
For his analysis, Tehrani focused on 72 plot variables, such as the character of the protagonist and the villain; the tricks used by the villain to deceive the victim; and whether the victim ultimately escapes or is eaten. This allowed him to chart how, over centuries of re-tellings, the stories took shape in their present forms.
The Wolf and The Kids, he notes, concerns a nanny goat who “warns her kids not to open the door while she is left out in the fields, but is overheard by a wolf. When she leaves, the wolf impersonates her and tricks the kids into letting him in, whereupon he devours them.” That tale “evolved from an Aesopic fable which as first recorded around 400 A.D.,” he writes.
In contrast, the oldest known version of Little Red Riding Hood is an 11th-century poem “written in Latin by a priest in Liege.” But Tehrani’s analysis suggests they emerged from a common source deep in history, with various versions branching out and establishing themselves in different cultures.
In contrast, the oldest known version of Little Red Riding Hood is an 11th-century poem “written in Latin by a priest in Liege.” But Tehrani’s analysis suggests they emerged from a common source deep in history, with various versions branching out and establishing themselves in different cultures.
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